The 2022 report was launched on Friday 24th March 2023 , held in Yala, marked the launch of the Accountability report, shedding light on the Statistics and Trends of Extrajudicial Killings and Enforced Disappearances in the country. The launch included a panel discussion by partners and keynote addresses by distinguished guests that include Ambassadors from Germany, Britain, the United States, and the European Union.
This paper seeks to explore the topographies of abandonment and pandemic policing in Kenya’s urban-informal settlements. Through a connection of spatial territories1, I explore the continuation of the colonial era divide and rule tactics to govern what seems as Kenya’s fragmented regions through the duration of the government COVID-19 combatting mechanisms. Through ethnographic research, this paper tries to connect the struggles of Kenya’s poor urban populations secluded in ‘slum areas’ on their daily quest for survival by engaging in a fight against a pandemic and state violence. Notwithstanding the daily denials of basic needs and priorities by both government and potential de facto urban management.
Missing Voices is a coalition of 15 Civil Society Organizations that aim to end extrajudicial killings and enforced disappearances in Kenya. Since its inception in August 2018, Missing Voices has documented and verified data on police killings and enforced disappearances (EDs) and held several campaigns to disseminate our research while pushing the general public to report incidents of police misconduct. These activities are done in partnership with stakeholders with the mission to get justice for victims and survivors and promote police accountability.
Kenya has a long history of police use of excessive force during law enforcement operations, either in informal settlements or in response to demonstrations, often resulting in unnecessary deaths. Several deaths from police violence were reported in 2020 during the first days of Kenya's dawn to dusk curfew imposed on March 27,2020 to contain the spread of COVID-19.
The Hollywood action movie Black Panther captured the imagination of audiences around the globe. In several African countries, it quickly became the highest grossing film of all time. The tale is set in Wakanda, a technologically advanced African kingdom that avoided the shackles of colonialism and slavery by isolating itself behind a guise of poverty and deprivation. Although what it presents as “African”, in terms of narrative and images, is far from uncontested, the film catapulted Afrofuturism – a discipline or aesthetic that enlists science fiction and technology to imagine black identities and futures unconstrained by past and present circumstances – from the avant-garde circles of artists and intellectuals into the mainstream.
The current public debate on African migration to Europe is largely fuelled by visions of boats crossing the Mediterranean Sea, filled with desperate people in search of a better life. The narrative positions Africa as a “continent on the move” whose people are surging into Europe on a seemingly endless tide. Although media images of desperate African refugees fleeing to Europe do portray the daily reality and the often-tragic consequences of the treacherous crossing, the framing conceals more than it reveals.
Since the third wave of democratisation swept through the continent in the 1990s, the majority of African states have replaced military dictatorships and one-party-dominant systems with more democratic forms of governance. Today, 61 percent of sub-Saharan countries are “free” or “partly free” according to Freedom House’s 2018 survey – although this is down from a high of 71 percent in 2008.
Informed by the discussions at an international conference jointly organised by the German Development Institute, the Heinrich Böll Foundation and Stanford University on “Emerging Power or Fading Star? South Africa’s Role on the Continent and Beyond”, held 12–14 July 2016 in Cape Town, the articles gathered in this edition of Perspectives shed light on some of the nuances and challenges that define South Africa’s place in the world today.
Activists, non-governmental organisations (NGOs) and social movements across the world are facing verbal hostility from politicians, new laws and regulations that curtail their ability to operate, and outright violence. Africa is no exception.
When you write about Africa, make sure to always include sad and starving characters, advises Kenyan author Binyavanga Wainana in his famously ironic essay “How to write about Africa”, which takes aim at Western prejudices. In the same way that everyday laughter has been excluded from all-too-familiar depictions of the continent, African humour and satire as a form of social and political engagement remains underexplored.
