Kenya is a growing market for pesticides. According to the Agrochemical Association of Kenya (AAK), pesticide imports more than doubled between 2015 and 2018. Sales data shows that 76 percent of the total volume of pesticides used in the country contain one or more active ingredients that are categorized as Highly Hazardous Pesticides (HHPs). Pesticides are classified as highly hazardous if they pose serious health risks or irreversible damage to the environment. Their potential to cause cancer, disrupt hormonal and nervous systems, lead to genetic defects or harm unborn children, are among the list of human health concerns being raised by civil society organizations.
Published by the Society for International Development (SID) with the support of hbs, Nairobi Office, this booklet explores possible scenarios that could unfold in four Eastern African countries. The analysis and three stories presented imagine practical future scenarios for energy and how these would affect energy poverty in Kenya, Ethiopia, Uganda and Tanzania.
This study is published in the framework of the transformAfrica program: Towards and ecological and social transformation in Africa. The study presents an analysis of the state of art of the energy efficiency in Kenya, in particular at the householder’s level, citizens and civil society actors.
Supported by the Heinrich Boell Foundation and coordinated by Nani Croze of Kitengela Glass, the Kenya Arts Diary has become a popular annual art exhibition in Nairobi, Kenya and identified with the Heinrich Boell Foundation. The diary has built a new physical but portable space whose multi-functionality allows local artists to display their craft, advertise their skills, join a regional network, and find belonging.
First published in 2011, the Kenya Arts Diary is a catalogue - complete with descriptors - of photography, installations, oils, acrylics, patch-work quilts, wood, cement and scrap metal sculptures, some from “stitched found objects”. The Diary also carries artists’ bios and a directory that provides artists’ contacts and announces the range of collectives and studios where contemporary artists pursue their passions.
This edition of Perspectives contributes to the ongoing debate on infrastructure development in Africa by sharing snapshots of experience from around the continent, exploring questions about democratic participation, the role of human and environmental rights, and economic transformation.
When you write about Africa, make sure to always include sad and starving characters, advises Kenyan author Binyavanga Wainana in his famously ironic essay “How to write about Africa”, which takes aim at Western prejudices. In the same way that everyday laughter has been excluded from all-too-familiar depictions of the continent, African humour and satire as a form of social and political engagement remains underexplored.
With this edition of Perspectives, the Heinrich Böll Foundation explores some of the approaches and instruments that communities and their NGO partners have developed to create room for community-centred stakeholder participation, and to champion community interests and rights.
Despite the formal commitment of many African states to universal human rights, the realisation of those rights remains unfulfilled for a great number of their citizens, especially women.
For this edition of Perspectives the Heinrich Böll Foundation asked a number of African intellectuals, writers and analysts to provide their take on Africa’s relationship with Europe. The result is a small collection of interviews, short essays and comments that throw light on the complexities and complexes of this relationship, using analysis, imagery, experience, provocation and humour.
Fossil resources like coal, oil and gas are responsible for 63 percent of carbon emissions in the atmosphere by only 90 entities – the “Carbon Majors”. This discussion paper outlines the case for the Carbon Majors to provide funding via the Warsaw International Mechanism for Loss and Damage for poor communities all over the world.
