This study is published in the framework of the transformAfrica program: Towards and ecological and social transformation in Africa. The study presents an analysis of the state of art of the energy efficiency in Kenya, in particular at the householder’s level, citizens and civil society actors.
Edited by Nanjala Nyabola and Marie- Emmanuelle Pommerolle, this collection captures some of the stories and experiences of women who particiapetd in the heated 2017 general election in Kenya. The stories shed light on the nuances and complexities facing women who choose to enter electoral politics in Kenya.
Out of the eleven elections that have been held in Kenya since independence, the 2013 election will remain significant in Kenya’s electoral history. The Constitution of Kenya 2010 set the legal framework for promoting gender equality, which has seen a record eighty six woman elected and nominated to the eleventh Parliament. This number surpasses the total number of women representatives in the fifty years of independence combined. In the last ten parliaments, Kenya has had a total of eventy five women, fifty of them elected while the other 25 were nominated. With an increase from 9.8% to 19% representation, Kenya is now ranked 76th of the top 100 countries in the World Classification of Women in National Parliaments. The marked
Progress, a result of years of hard work by different stakeholders in the women’s movement, deserves celebration.
The Hollywood action movie Black Panther captured the imagination of audiences around the globe. In several African countries, it quickly became the highest grossing film of all time. The tale is set in Wakanda, a technologically advanced African kingdom that avoided the shackles of colonialism and slavery by isolating itself behind a guise of poverty and deprivation. Although what it presents as “African”, in terms of narrative and images, is far from uncontested, the film catapulted Afrofuturism – a discipline or aesthetic that enlists science fiction and technology to imagine black identities and futures unconstrained by past and present circumstances – from the avant-garde circles of artists and intellectuals into the mainstream.
The current public debate on African migration to Europe is largely fuelled by visions of boats crossing the Mediterranean Sea, filled with desperate people in search of a better life. The narrative positions Africa as a “continent on the move” whose people are surging into Europe on a seemingly endless tide. Although media images of desperate African refugees fleeing to Europe do portray the daily reality and the often-tragic consequences of the treacherous crossing, the framing conceals more than it reveals.
“People and Power: Stories of Small Scale Renewable Energy Entrepreneurs in Kenya” documents 11 renewable energy projects that highlight how decentralised renewable energy is empowering people across the country, and especially in rural areas which rely heavily on biomass energy sources due to the lack of grid connections.
Whereas the momentum of economic development in the 20th century depended on abundant fossil fuels and centralized electric power, countries are now revisiting their energy strategies to reduce the risks of unpredictable climate change. Our countries are not exempt from this dilemma. Should they continue to power their transition from agricultural to industrial societies by exploiting fossil fuels and centralized power? Or is a different energy system possible? Which investments will get priority? Who will benefit from whatever energy system is put into place, and who will be the biggest losers?
Produced by the Society for International Development(SID) with the support of Heinrich Böll Stiftung, East and Horn of Africa Regional Office, this booklet presents and explores possible scenarios that could unfold in four Eastern African countries. The analysis and three stories presented imagine practical future scenarios for energy and how these would affect energy poverty in Kenya, Ethiopia, Uganda and Tanzania.
Supported by the Heinrich Boell Foundation and coordinated by Nani Croze of Kitengela Glass, the Kenya Arts Diary has become a popular annual art exhibition in Nairobi, Kenya and identified with the Heinrich Boell Foundation. The diary has built a new physical but portable space whose multi-functionality allows local artists to display their craft, advertise their skills, join a regional network, and find belonging.
First published in 2011, the Kenya Arts Diary is a catalogue - complete with descriptors - of photography, installations, oils, acrylics, patch-work quilts, wood, cement and scrap metal sculptures, some from “stitched found objects”. The Diary also carries artists’ bios and a directory that provides artists’ contacts and announces the range of collectives and studios where contemporary artists pursue their passions.
Since the third wave of democratisation swept through the continent in the 1990s, the majority of African states have replaced military dictatorships and one-party-dominant systems with more democratic forms of governance. Today, 61 percent of sub-Saharan countries are “free” or “partly free” according to Freedom House’s 2018 survey – although this is down from a high of 71 percent in 2008.
